The Vintage Collection – The Photographer II

Director Andrej Lupin returns to a premise he’s previously employed in his nostalgia-steeped “Vintage Collection” with the episode subtitled “The Photographer II.” Unlike the boy/girl scenario of the earlier film, two women — Clara Reyes and Cathy Reynolds — are featured here, both making their Sexart debuts. Set to a smokey jazz soundtrack, styled to period perfection in both costume and decor, and shot in a lush, diffused style, the film oozes atmosphere from beginning to end. Sainz, hair up, and wearing a man’s necktie, plays the title role, and Marika, her long hair elaborately coiffed, and partially clad in appropriate vintage lingerie, is her subject. Although Meggie is topless from the start, the photo session is businesslike and professional. Meggie is eager to please, and Antonia offers direction, suggests poses, and concentrates on her composition and framing. Eventually the camera is put aside and a seduction quickly develops. Sainz continues in the dominant role, helping Marika out of her sheer panties — but leaving garter-belt and hosiery in place — and then making a meal out of her. After eating her fill, the photographer skillfully strokes the model to to a feverish finish. And Sainz remains in the dominant position even when she’s the recipient of her model’s attention, straddling Meggie’s face and pulling the lips of her pussy apart to provide unimpeded access to her succulent slit and exposed clitoris. Sainz reaches her final climax in a dramatic backbend, arching her beautiful body up off the bed and pushing her pussy against Marika’s thrusting fingers and hungry mouth. Impressive performances by two extremely appealing starlets combined with the film’s evocative style make “The Photographer II” a worthy addition to the justifiably popular “Vintage Collection.”