Wall – Lexi Quinn, Aiden Shaw

Lexi Quinn introduces director Andrej Lupin’s disturbing and provocative new movie by pulling on a pair of elbow length black gloves, her posing overtly sexual. Predatory in skyscraper heels and a dress that hugs her voluptuous figure, she eyes her prey, Aiden Shaw, who is restrained to the titular “Wall.” As she approaches and disrobes him, Cox looks apprehensive, but his rising erection betrays another emotion too: excitement. Kira’s gloved hand wraps around his cock, stroking it to rigidity before she kneels to suck it deep. She peels off her dress and squeezes her big breasts around his bone, then bends over and backs onto it, grinding it against the groove of her pussy lips and then guiding it inside. Kira rubs her clit as she slams back onto her captive’s cock, moving faster and harder before abruptly pulling away, leaving him gasping. She frees his wrists and he sinks to the ground, where she straddles him to get her pussy eaten, and then sits astride him and rides vigorously. She spins around into reverse cowgirl, breasts bouncing as they hump to a simultaneous orgasm. A hint of tenderness between the pair belies the unsettling, challenging and highly charged atmosphere of this extraordinary piece of erotic filmmaking.